Adam and Philip have a lot in common. They’re composers; they’re family men; and they’re good friends.
They also share an intense aversion to the false binary drawn between “art” and “entertainment” when it comes to music. And they both wish it were a bit easier to cross over from one realm into the other.
While Philip writes some concert music, he earns the entirety of his living writing music for film and TV. (You can read more about him here.)
While Adam composes occasionally for film and TV, he is one of the world’s most-performed living composers of concert music. (You can read more about him here.)
Join us for:
guided tours of their music for the stage and screen
a peek inside their creative processes — and if/how it differs depending on the medium
tours of their workspaces
spirited conversation.